Category: Writing

  • OF MICE AND MEN STUDY GUIDE QUESTIONS CHAPTER 2 MR. KENNY 1 AMERICAN LIT WINTER…

    OF MICE AND MEN STUDY GUIDE QUESTIONS CHAPTER 2 MR. KENNY 1 AMERICAN LIT WINTER TRIMESTER “B”
    What does George find on the shelf above his bed in the bunkhouse that disturbs him? Why does it worry him?
    Candy (the old man) tells George and Lennie that the boss is mad at them already. Why is he angry? On whom did the boss take out his frustrations?
    How do the boss and his son respond to a quiet Lennie? Why? What does this indicate about their characters?
    What two lies does George tell the boss about Lennie? Why does he lie?
    What is George’s reaction to Curley? Does he like him or not, and why?
    How does Candy explain Curley’s behavior, and what does he think of Curley’s new wife?
    What two seemingly contradictory directives does George give Lennie when it comes to dealing with Curley?

  • OF MICE AND MEN STUDY GUIDE QUESTIONS CHAPTER 2 MR. KENNY 1 AMERICAN LIT WINTER…

    OF MICE AND MEN STUDY GUIDE QUESTIONS CHAPTER 2 MR. KENNY 1 AMERICAN LIT WINTER TRIMESTER “B”
    What does George find on the shelf above his bed in the bunkhouse that disturbs him? Why does it worry him?
    Candy (the old man) tells George and Lennie that the boss is mad at them already. Why is he angry? On whom did the boss take out his frustrations?
    How do the boss and his son respond to a quiet Lennie? Why? What does this indicate about their characters?
    What two lies does George tell the boss about Lennie? Why does he lie?
    What is George’s reaction to Curley? Does he like him or not, and why?
    How does Candy explain Curley’s behavior, and what does he think of Curley’s new wife?
    What two seemingly contradictory directives does George give Lennie when it comes to dealing with Curley?

  • 1. List the morphemes in each word below and state whether each morpheme is free or…

    1. List the morphemes in each word below and state whether each morpheme is free or bound and whether each morpheme is a root or an affix. If the morpheme is an affix, indicate if it is a prefix or suffix and if it is derivational or inflectional. (8 points) ex. creating create (free, root) -ing (bound, affix – inflectional suffix) a. impossibilities b. journal c. friendlier 2. Draw the word tree for impossibility in the box below. Indicate the grammatical category (V, N, Adj, etc…) of each morpheme in the tree, as in the example. (3 points) 3. Is the word undesirable ambiguous? Draw the two logically possible word tree structures and indicate what each tree would mean. Indicate the grammatical category (V, N, Adj, etc…) of each morpheme in the tree, as in the example from question 2. (10 points) Tree 1: Meaning: _______________________________________________________________ ________________________________________________________________________ Tree 2: Meaning: _______________________________________________________________ ________________________________________________________________________ If one of the trees is not grammatical, put an asterisk (*) in front of the tree to indicate that it is not possible. Write one or two sentences below to indicate why it is not possible. ________________________________________________________________________ ________________________________________________________________________

  • ENG-002-764 Transition English Take Test: Unit 6 Assessment – Form A QUESTION 1 Click…

    ENG-002-764 Transition English
    Take Test: Unit 6 Assessment – Form A
    QUESTION 1
    Click here to read the passage before answering the question.
    Who is the intended audience for this passage?
    a. consumers who are interested in many things
    b. shopping researchers who buy household goods
    c. advertising agencies that hire ad writers
    d. advertisers that want to target teenagers
    QUESTION 2
    Click here to read the passage before answering the question.
    Which feature makes the passage a good example of pop-culture writing?
    a. the analysis of current advertising trends
    b. the formal tone of the writing
    c. the use of historical facts about advertising
    d. the use of logical arguments
    QUESTION 3
    Click here to read the passage before answering the question.
    Which feature makes the passage a good example of pop-culture writing?
    a. The author uses words that are informal and friendly.
    b. The author uses logic to make sense of the facts.
    c. The author supports an implied goal.
    d. The author tells what happened in the past.
    QUESTION 4
    Click here to read the passage before answering the question.
    What is the meaning of the word categorize in paragraph 9 of the passage?
    a. interpret
    b. classify
    c. view
    d. understand
    QUESTION 5
    Click here to read the passage before answering the question.
    What does the word sequence mean in paragraph 7 of the passage?
    a. variation
    b. range
    c. timing
    d. series
    QUESTION 6
    Click here to read the passage before answering the question.
    Read this sentence from paragraph 6 of the passage.
    Often the accompanying voice you hear is straightforward, knowledgeable, and quite friendly.
    What does the word knowledgeable mean as it is used in this sentence?
    a. modest
    b. intelligent
    c. peaceful
    d. honest
    QUESTION 7
    Click here to read the passage before answering the question.
    Which sentence from the passage includes a coordinating conjunction?
    a. One common, and very persuasive, type of advertisement is known as the association ad. (paragraph 2)
    b. These types of advertisements may also present an entire socioeconomic or cultural group that it intends the viewer to associate with the product. (paragraph 5)
    c. This format has infinite variations, but imagine one that goes like this: A man is driving in his old car and pulls up next to a new, shiny car at a stop light. (paragraph 7)
    d. As it turns out, just a few formats characterize the majority of ads. (paragraph 1)
    QUESTION 8
    Click here to read the passage before answering the question.
    Which sentence from the passage includes a subordinating conjunction?
    a. This format has infinite variations, but imagine one that goes like this: A man is driving in his old car and pulls up next to a new, shiny car at a stop light. (paragraph 7)
    b. He looks at the driver in the new car and imagines that he is the one driving the fancy new car. (paragraph 7)
    c. Often the accompanying voice you hear is straightforward, knowledgeable, and quite friendly. (paragraph 6)
    d. Another ubiquitous advertising type is the “you’ve got to have it because look what it does” format, which demonstrates a product. (paragraph 6)
    QUESTION 9
    Read this paragraph.
    1. Zoos are needed to protect animals. 2. The Wildlife Conservation Society has worked hard to create more than one hundred protected habitats around the world for the rerelease of different species. 3. The National Zoo in Washington D. C. has bred Sumatran tigers, boosting a population that was once only seven hundred in the world. 4. An award-winning education department can be found at the Bronx Zoo. By educating children and adults, zoos can inspire people to learn about ecological and conservation efforts. 5. Zoos are crucial in saving endangered species where otherwise they may die from habitat loss or starvation. 6. Many zoos have breeding programs that allow species to multiply and thrive. 7. Seeing an animal in person can foster compassion more than simply watching a documentary.
    Which sentence is part of the evidence in this paragraph?
    a. Sentence 7
    b. Sentence 5
    c. Sentence 1
    d. Sentence 3
    QUESTION 10
    Read this paragraph.
    1. Zoos are needed to protect animals. 2. The Wildlife Conservation Society has worked hard to create more than one hundred protected habitats around the world for the rerelease of different species. 3. The National Zoo in Washington D. C. has bred Sumatran tigers, boosting a population that was once only seven hundred in the world. 4. An award-winning education department can be found at the Bronx Zoo. By educating children and adults, zoos can inspire people to learn about ecological and conservation efforts. 5. Zoos are crucial in saving endangered species where otherwise they may die from habitat loss or starvation. 6. Many zoos have breeding programs that allow species to multiply and thrive. 7. Seeing an animal in person can foster compassion more than simply watching a documentary.
    Which sentence(s) is/are part of the evidence in this paragraph?
    a. Sentence 4
    b. Sentence 6
    c. Sentence 1
    d. Sentence 7

  • In both “The Shawl” by Louise Erdrich and ” Javi,” by Han Ong, young , capable…

    In both “The Shawl” by Louise Erdrich and ” Javi,” by Han Ong, young , capable characters , one 13 years old and the other 14 years old, show a maturity beyond their years. How are both of these characters similar and/or different?
    https://www.google.com/amp/s/www.newyorker.com/magazine/2001/03/05/the-shawl-2/amp
    https://www.newyorker.com/magazine/2019/06/10/javi
    2. In both “The Shawl” by Louise Erdrich and “Javi,” by Han Ong, young, capable characters, one 13 years old and the
    other 14 years old, show a maturity beyond their years. How are both of these characters similar and/or different?

  • 2. In the first two stanzas of “The Blind Seer of Ambon,” the speaker describes…

    2. In the first two stanzas of “The Blind Seer of Ambon,” the speaker describes coming from “another language” and
    continuing to “arrive at words.” What is the other “language” that the speaker describes? How does the analogy help the
    reader understand what it is like to be blind?

  • I need to know how to do this I’m lost COMMONLIT Activity 3: Fill-in-the-Blank…

    I need to know how to do this I’m lost
    COMMONLIT Activity 3: Fill-in-the-Blank Scenario Fill in the blanks using the correct vocabulary word to complete each scenario. Then, explain why that vocabulary word fits best based on context clues provided in the scenario. You may have to change the form of the word (ex: go, going, gone). For Example: Every single day, Bryan wakes up at 5 o’clock in the morning to take a 10-mile jog. Then, he goes to the gym to lift weights. Afterwards, he does 20 laps in the pool. And this is before he goes to practice with the team every afternoon! Bryan is about training because My Answer My Reason relentless He is extremely dedicated and exercises all of the time. He runs 10 miles, lifts weights, swims, and attends practice every day. Adversary Assert Conspire Elaborate Foresight Imparting Modest Possessive Prodigy Relent Retort

  • Born a Crime Part 7. Look back at what it took to be successful in Chapter 15 By…

    Born a Crime Part 7. Look back at what it took to be successful in Chapter 15 By Trevor Noah this additional part of Trevor’s business. What does this tell you about Trevor? that he is a very hard
    How does Andrew change Trevor’s life?
    What does Trevor learn about the power of money?
    What 3 things does Trevor do with the money he earns from his business?
    What is the difference between a handout and help according to Trevor Noah?
    Research the city of Gomorrah and explain why Trevor alludes to it when talking about Alexandra.
    How do most black working people select names for their children in South Africa?
    Why does the world not know about the atrocities against the African people like they know about those suffered by Jewish people?
    Why was there such a huge misunderstanding when Trevor and his dancers performed at King David School?

  • Write short answers to a series of questions about Elie Wiesel’s “The Perils of…

    Write short answers to a series of questions about Elie Wiesel’s “The Perils of Indifference.” You’ll reference the speech directly to describe how its language and structure contribute to its tone, purpose, and overall meaning.
    Your assignment should include the following elements:
    Responses to each question that show a thorough understanding of Elie Wiesel’s arguments
    Examples that support your answers
    Your answer should have quotes from Elie Wiesel’s “The Perils of Indifference.”
    The answers should describe:
    Language
    Tone
    Purpose
    Meaning
    SOURCE:
    https://docs.google.com/document/d/1o2U5k-OQgTdNNCf1ogCxi-sj3-Kdit1GHa3Fk8pVyS0/edit?usp=sharing
    Ask yourself these questions as you revise:
    Did I support my responses with direct references to Wiesel’s text?
    Did I answer all parts of each question?
    Did I demonstrate a clear understanding of Wiesel’s purpose and main points?
    Did I proofread to catch mistakes in grammar, usage, spelling, and punctuation?
    QUESTIONS:
    Look at Wiesel’s discussion of the
    St. Louis
    . How does this section of text follow from the section before it, and how does it connect to Wiesel’s overall purpose?
    Look at the paragraph full of rhetorical questions near the end of the speech. It begins with “Does it mean that we have learned from the past?” How does this section of text follow from the section before it, and how does it connect to Wiesel’s overall purpose?
    Look at Wiesel’s use of the word
    vanishing
    in the third paragraph. What sort of connotation does
    vanishing
    have (as opposed to the more straightforward
    finishing
    or
    ending
    )? How does the word support Wiesel’s purpose or ideas?
    Look at Wiesel’s use of the word
    abandoned
    in the seventh paragraph. What sort of connotation does
    abandoned
    have (as opposed to the more straightforward
    left behind
    or
    moved on without
    )? How does its use support Wiesel’s purpose or ideas?
    In the fifth paragraph, Wiesel writes, “Of course, indifference can be tempting — more than that, seductive.” What kind of figurative language is this (metaphor, personification, hyperbole)? How does it support Wiesel’s main ideas about indifference?
    When he’s speaking of his time in the camps hoping for rescue, Wiesel writes, “If they knew, we thought, surely those leaders would have moved heaven and earth to intervene.” What kind of figurative language is this (metaphor, personification, hyperbole)? How does it support Wiesel’s main ideas about indifference?
    Using the examples of word connotation and figurative language from the speech, explain how Wiesel’s language choices contribute to the increasingly harsh, accusatory tone as the speech progresses. Feel free to use any of the examples already discussed.
    EXAMPLES: (link includes the provided examples)
    https://docs.google.com/document/d/1AzmdX2qSho7vSCRpV6S3d2MCmSAYkawsoVuoz_xSKrU/edit?usp=sharing

  • Read this article and answer the question in page 176. READINGS / Two Model Arguments…

    Read this article and answer the question in page 176.
    READINGS / Two Model Arguments Cats into the Delete Your Social Media Accounts Right Now in char JARON LANIER and pa taken OH it befreebig sisw oursel jott sill asok wolf people Me terms like ar online evo way al heard Th LET’S START WITH cats. where Cats are everywhere online. They make the memiest memes and the rithm cutest videos. makin Why cats more than dogs? Dogs didn’t come to ancient humans begging to live with us; we domesti- be a cated them. They’ve been bred to be obedient. They take to training and they So are predictable. They work for us. That’s not to say anything against dogs. It’s ten y great that they’re loyal and dependable. on th Cats are different. They came along and partly domesticated themselves. 5 tion. They are not predictable. Popular dog videos tend to show off training, while kitch the most wildly popular cat videos are the ones that capture weird and surpris- cons ing behaviors. notiz Cats are smart, but not a great choice if you want an animal that takes to We’ training reliably. Watch a cat circus online, and what’s so touching is that the cats are clearly making their own minds up about whether to do a trick they’ve you learned, or to do nothing, or to wander into the audience. you thing sion Wh JARON LANIER, often referred to as the “father of virtual reality,” is a scientist, mu- Wh sician, and writer who focuses on virtual reality and advocates for sustainable eco- nomics in a digital world. He is the author of Who Owns the Future and You Are Not a Gadget. His book Dawn of the New Everything was named one of the best books read of 2017 by the Wall Street Journal and the Economist. This piece is from his 2018 Alg book, Ten Arguments for Deleting Your Social Media Accounts Right Now. esp [ 172 ]
    del Arguments IER ccounts Right Now Lanier / Delete Your Social Media Accounts Right Now [ 173 ] Cats have done the seemingly impossible: They’ve integrated themselves into the modern high-tech world without giving themselves up. They are still in charge. There is no worry that some stealthy meme crafted by algorithms and paid for by a creepy, hidden oligarch has taken over your cat. No one has taken over your cat; not you, not anyone. Oh, how we long to have that certainty not just about our cats, but about ourselves! Cats on the internet are our hopes and dreams for the future of people on the internet. Meanwhile, even though we love dogs, we don’t want to be dogs, at least in terms of power relationships with people, and we’re afraid Facebook and the like are turning us into dogs. When we are triggered to do something crappy online, we might call it a response to a “dog whistle.” Dog whistles can only be heard by dogs. We worry that we’re falling under stealthy control. make the memiest memes and the This is about how to be a cat. How can you remain autonomous in a world 10 where you are under constant surveillance and are constantly prodded by algo- rithms run by some of the richest corporations in history, which have no way of making money except by being paid to manipulate your behavior? How can you egging to live with us; we doment. be a cat, despite that? ent. They take to training and the Something entirely new is happening in the world. Just in the last five or ot to say anything against dogs. Its ten years, nearly everyone started to carry a little device called a smartphone on their person all the time that’s suitable for algorithmic behavior modifica tion. A lot of us are also using related devices called smart speakers on our d partly domesticated themselves kitchen counters or in our car dashboards. We’re being tracked and measured os tend to show off training, white constantly, and receiving engineered feedback all the time. We’re being hyp- nes that capture weird and surpris notized little by little by technicians we can’t see, for purposes we don’t know. We’re all lab animals now. Algorithms gorge on data about you, every second. What kinds of links do you want an animal that takes to you click on? What videos do you watch all the way through? How quickly are and what’s so touching is that the you moving from one thing to the next? Where are you when you do these about whether to do a trick they’ve things? Who are you connecting with in person and online? What facial expres sions do you make? How does your skin tone change in different situations? o the audience. What were you doing just before you decided to buy something or not? Whether to vote or not? All these measurements and many others have been matched up with similar readings about the lives of multitudes of other people through massive spying. of virtual reality, “is a scientist m Algorithms correlate what you do with what almost everyone else has done. ty and advocates for sustainable any The algorithms don’t really understand you, but there is power in numbers, Who Owns the Future and You Are M especially in large numbers. If a lot of other people who like the foods you like dig was named one of the best body Themist. This piece is from his all edie Aga ints Right Now
    [174 ] GENRES OF WRITING happene were also more easily put off by pictures of a candidate portrayed in a pink basemen border instead of a blue one, then you probably will be too, and no one needs be tested to know why. Statistics are reliable, but only as idiot demons. Are you sad, lonely, scared? Happy, confident? Getting your period? Exper 15 you knew manipul riencing a peak of class anxiety? So-called advertisers can seize the moment when you are perfectly primed not alwa and then influence you with messages that have worked on other people who ers, on p What share traits and situations with you. I say “so-called” because it’s just not right to call direct manipulation of subtle m people advertising. Advertisers used to have a limited chance to make a pitch, ous? O and that pitch might have been sneaky or annoying, but it was fleeting. Further- what? . more, lots of people saw the same TV or print ad; it wasn’t adapted to indi- I rea viduals. The biggest difference was that you weren’t monitored and assessed the sam all the time so that you could be fed dynamically optimized stimuli-whether your life “content” or ad-to engage and alter you. own br Now everyone who is on social media is getting individualized, continuously ness or adjusted stimuli, without a break, so long as they use their smartphones. What takes , might once have been called advertising must now be understood as continu- for a w ous behavior modification on a titanic scale. for Dele Please don’t be insulted. Yes, I am suggesting that you might be turning, Forever. just a little, into a well-trained dog, or something less pleasant, like a lab rat or a robot. That you’re being remote-controlled, just a little, by clients of big corporations. But if I’m right, then becoming aware of it might just free you, so give this a chance, okay? This bo A scientific movement called behaviorism arose before computers w