Tag: Academic writing

This passage is from Oliver Twist by Charles Dickens. The novel tells the story of Oliver, an orphan boy who, at the age of nine, is taken to a work house where children are mistreated and poorly fed. Dickens uses Oliver’s suffering to criticize Victorian society.
1 The room in which the boys were fed, was a large stone hall, with a copper at one end: out of which the master, dressed in an apron for the purpose, and assisted by one or two women, ladled the gruel at mealtimes. Of this festive composition each boy had one porringer, and no more—occasion 5 of great public rejoicing, when he had two ounces and a quarter of bread besides. The bowls never wanted washing. The boys polished them with their spoons till they shone again; and when they had performed this operation (which never took very long, the spoons being nearly as large as the bowls), they 10 would sit staring at the copper, with such eager eyes, as if they could have devoured the very bricks of which it was composed; employing themselves, meanwhile, in sucking their fingers most assiduously, with the view of catching up any stray splashes of gruel that might have been cast thereon. Boys have generally excellent appetites. Oliver Twist and his companions 15 suffered the tortures of slow starvation for three months: at last they got so voracious and wild with hunger, that one boy, who was tall for his age, and hadn’t been used to that sort of thing (for his father had kept a small cook-shop), hinted darkly to his companions, that unless he had another basin of gruel per diem, he was afraid he might some night happen to eat the boy who 20 slept next him, who happened to be a weakly youth of tender age. He had a wild, hungry eye; and they implicitly believed him. A council was held; lots were cast who should walk up to the master after supper that evening, and ask for more; and it fell to Oliver Twist. The evening arrived; the boys took their places. The master, in his cook’s 25 uniform, stationed himself at the copper; his pauper assistants ranged themselves behind him; the gruel was served out; and a long grace was said over the short commons. The gruel disappeared; the boys whispered each other, and winked at Oliver; while his next neighbors nudged him. Child as he was, he was desperate with hunger, and reckless with misery. He rose 30 from the table; and advancing to the master, basin and spoon in hand, said: somewhat alarmed at his own temerity: “Please, sir, I want some more.”
The master was a fat, healthy man; but he turned very pale. He gazed in stupefied astonishment on the small rebel for some seconds, and then clung 35 for support to the copper. The assistants were paralyzed with wonder; the boys with fear. “What!” said the master at length, in a faint voice.
“Please, sir,” replied Oliver, “I want some more.”
The master aimed a blow at Oliver’s head with the ladle; pinioned him in his 40 arm; and shrieked aloud for the beadle. The board were sitting in solemn conclave, when Mr. Bumble rushed into the room in great excitement, and addressing the gentleman in the highchair, said, “Mr. Limbkins, I beg your pardon, sir! Oliver Twist has asked for more!”
There was a general start. Horror was depicted on every countenance. “For more!” said Mr. Limbkins. “Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?”
“He did, sir,” replied Bumble.
“That boy will be hung,” said the gentleman in the white waistcoat. “I know that boy will be hung.”
9. “Countenance” is a word that has several definitions. Based on the context of the passage, the meaning the author intended in line 45 is:
A. face.
B. approval.
C. calm expression.
D. mental composure.
(2 Points)
A
B
C
D
10. The historical context of the setting as it is described in lines 1-23 most influences the plot by:
F. enabling readers to imagine what the workhouse’s dining hall looked like.
G. helping readers understand how orphans were treated in this time and place.
H. demonstrating the efficiency of the staff that served the orphans at mealtimes.
J. explaining how food was usually distributed to the children at the workhouse.
(2 Points)
F
G
H
J
11. Which of the following events from the passage most strongly develops Dickens’s theme of his society’s failure to care for orphans?
A. The other boys bully Oliver into asking for more food.
B. The master tries to hit Oliver after he asks for more food.
C. Mr. Limbkins asks Mr. Bumble to repeat Oliver’s request.
D. One of the men on the board predicts that Oliver will be hanged.
(2 Points)
A
B
C
D
12. Which characterization most vividly explains why Oliver dares to ask for more food?
F. “The boys polished them with their spoons till they shone again” (line 7)
G. “Boys have generally excellent appetites.” (line 13)
H. “He had a wild, hungry eye; and they implicitly believed him.” (line 20)
J. “he was desperate with hunger, and reckless with misery.” (line 29)
(2 Points)
F
G
H
J
13. How does Dickens’s description of the dining hall in the first sentence of the passage help develop the conflict?
A. It emphasizes the master’s cruelty.
B. It highlights the children’s hunger.
C. It suggests that the master holds all of the power.
D. It explains why the workhouse provides poor meals.
(2 Points)
A
B
C
D
14. Which of the following best describes the relationship among characterization, setting, and plot in lines 14-21 (“Oliver Twist…believed them.”)?
F. The boys’ appetites while living in such meager conditions prevents them from taking action that would move the plot forward.
G. The insanity of the tall boy brought on by

Please answer these questions from the real cost of cheap fashion on common lit
Image transcription text
prepares I0 snare your angina: HIGHS “I a (.1055 HISCHSSIUH. 1. What information in this article surprised you the most? Why? 2. Think about how making cheap clothes puts people and the environment in danger. Does this make you want to change how you shop? If so, how? 3. The author says that everyone must play a role to create change in this situation. What role can you play? How can you teach other people to help make a difference?
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Library Research Tutorial Self Assessment Module 1. To check out library books, you need:” [required) your birth certificate your Social Security Card your hunting license your FLCC ID card none of the above Module 1. Students may check out books from the Main Collection for:* (required) 7 days 14 days 21 days 30 days none of the above Module 1. If you need the book The color encyclopedia of hostas, and the call number is * SB413.H73 G73 2004, where would you find this book in the FLCC Library? See Stack Guide” (required) O Reference Collection, 2nd floor O Oversized Collection, 1st Foot O Main Collection, 1st floor O Periodicals. 3rd floor Module 2. A book review is an example of a(n)* (required) O primary source secondary source encyclopedia article government document Module 2. The FLCC library catalog allows you to search for:* (required) books O maps DVDS O all of the above Module 2. The best type of source for brief, general treatment of a subject is:” (required) O a primary source an encyclopedia article O a periodical article a book Module 3. Go to the Master Database List: https://libguides.flcc.edu/databases (“Research Databases” from the library home page) and look at the Comprehensive Databases. What is the first database listed?* (required ABVInform Global O Academic OneFile Lexis Uni Computer Source Module 3. If you were going to search a research database, which search statement is most appropriate for the following question? “How does social adjustment relate to family relations?”* (required) social AND adjustment family relations AND social adjustment O family OR relations OR social adjustment
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Don’t Look Back Now is the story of Keisha (Joy Taylor), a woman who has moved across country to escape her creepy ex-boyfriend stalker, Tom (Kevin Highsmith). However, mysterious things keep happening to the people in Keisha’s life, and the authorities don’t believe her. But there’s one thing nobody knows – she’s got a secret that will make anyone coming to harm her regret it – especially Tom. This thriller is an exciting roller coaster ride that constantly keeps the audience guessing. Director Juliette Cho knows exactly how to manipulate the camera to capture every shadow and peripheral movement, keeping the viewer on edge. The close-up shots feel claustrophobic, like the perspective is skewed. For any other movie this might be annoying, but for this one, it helps put the viewer in Keisha’s suspicious shoes very well. With a running time of 98 minutes, the pacing is quick and efficient, and Cho uses cinematography deftly to show the quick and jerky passage of time from Keisha’s perspective. The performances are rock solid all the way through. Joy Taylor is brittle and violent, simmering below the surface with rage. You can see the toll this stalking experience has had on her in every twitch of her eye and clench of her jaw. The strength she displays once the film shifts into the darker, triumphant second act is a wonder to behold. Kevin Highsmith gives off just the right vibe of charming and sinister as Tom, effortlessly shifting his entire performance between sweet and suddenly dangerous. This is a tense thrill ride that will not disappoint fans of Joy Taylor or this genre in general. You can find Don’t Look Back Now at the Main Street Metroplex 12 and the Movie Palace 20 starting Friday.
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Don’t Look Back Now is the story of Keisha (Joy Taylor), a woman who has moved across country to escape her creepy ex-boyfriend stalker, Tom (Kevin Highsmith). However, mysterious things keep happening to the people in Keisha’s life, and the authorities don’t believe her. But there’s one thing nobody knows – she’s got a secret that will make anyone coming to harm her regret it – especially Tom. This thriller is an exciting roller coaster ride that constantly keeps the audience guessing. Director Juliette Cho knows exactly how to manipulate the camera to capture every shadow and peripheral movement, keeping the viewer on edge. The close-up shots feel claustrophobic, like the perspective is skewed. For any other movie this might be annoying, but for this one, it helps put the viewer in Keisha’s suspicious shoes very well. With a running time of 98 minutes, the pacing is quick and efficient, and Cho uses cinematography deftly to show the quick and jerky passage of time from Keisha’s perspective. The performances are rock solid all the way through. Joy Taylor is brittle and violent, simmering below the surface with rage. You can see the toll this stalking experience has had on her in every twitch of her eye and clench of her jaw. The strength she displays once the film shifts into the darker, triumphant second act is a wonder to behold. Kevin Highsmith gives off just the right vibe of charming and sinister as Tom, effortlessly shifting his entire performance between sweet and suddenly dangerous. This is a tense thrill ride that will not disappoint fans of Joy Taylor or this genre in general. You can find Don’t Look Back Now at the Main Street Metroplex 12 and the Movie Palace 20 starting Friday.
Show less
Don’t Look Back Now is the story of Keisha (Joy Taylor), a woman who has moved across country to escape her creepy ex-boyfriend stalker, Tom (Kevin Highsmith). However, mysterious things keep happening to the people in Keisha’s life, and the authorities don’t believe her. But there’s one thing nobody knows – she’s got a secret that will make anyone coming to harm her regret it – especially Tom. This thriller is an exciting roller coaster ride that constantly keeps the audience guessing. Director Juliette Cho knows exactly how to manipulate the camera to capture every shadow and peripheral movement, keeping the viewer on edge. The close-up shots feel claustrophobic, like the perspective is skewed. For any other movie this might be annoying, but for this one, it helps put the viewer in Keisha’s suspicious shoes very well. With a running time of 98 minutes, the pacing is quick and efficient, and Cho uses cinematography deftly to show the quick and jerky passage of time from Keisha’s perspective. The performances are rock solid all the way through. Joy Taylor is brittle and violent, simmering below the surface with rage. You can see the toll this stalking experience has had on her in every twitch of her eye and clench of her jaw. The strength she displays once the film shifts into the darker, triumphant second act is a wonder to behold. Kevin Highsmith gives off just the right vibe of charming and sinister as Tom, effortlessly shifting his entire performance between sweet and suddenly dangerous. This is a tense thrill ride that will not disappoint fans of Joy Taylor or this genre in general. You can find Don’t Look Back Now at the Main Street Metroplex 12 and the Movie Palace 20 starting Friday.
Show less
Don’t Look Back Now is the story of Keisha (Joy Taylor), a woman who has moved across country to escape her creepy ex-boyfriend stalker, Tom (Kevin Highsmith). However, mysterious things keep happening to the people in Keisha’s life, and the authorities don’t believe her. But there’s one thing nobody knows – she’s got a secret that will make anyone coming to harm her regret it – especially Tom. This thriller is an exciting roller coaster ride that constantly keeps the audience guessing. Director Juliette Cho knows exactly how to manipulate the camera to capture every shadow and peripheral movement, keeping the viewer on edge. The close-up shots feel claustrophobic, like the perspective is skewed. For any other movie this might be annoying, but for this one, it helps put the viewer in Keisha’s suspicious shoes very well. With a running time of 98 minutes, the pacing is quick and efficient, and Cho uses cinematography deftly to show the quick and jerky passage of time from Keisha’s perspective. The performances are rock solid all the way through. Joy Taylor is brittle and violent, simmering below the surface with rage. You can see the toll this stalking experience has had on her in every twitch of her eye and clench of her jaw. The strength she displays once the film shifts into the darker, triumphant second act is a wonder to behold. Kevin Highsmith gives off just the right vibe of charming and sinister as Tom, effortlessly shifting his entire performance between sweet and suddenly dangerous. This is a tense thrill ride that will not disappoint fans of Joy Taylor or this genre in general. You can find Don’t Look Back Now at the Main Street Metroplex 12 and the Movie Palace 20 starting Friday.
Show less
Don’t Look Back Now is the story of Keisha (Joy Taylor), a woman who has moved across country to escape her creepy ex-boyfriend stalker, Tom (Kevin Highsmith). However, mysterious things keep happening to the people in Keisha’s life, and the authorities don’t believe her. But there’s one thing nobody knows – she’s got a secret that will make anyone coming to harm her regret it – especially Tom. This thriller is an exciting roller coaster ride that constantly keeps the audience guessing. Director Juliette Cho knows exactly how to manipulate the camera to capture every shadow and peripheral movement, keeping the viewer on edge. The close-up shots feel claustrophobic, like the perspective is skewed. For any other movie this might be annoying, but for this one, it helps put the viewer in Keisha’s suspicious shoes very well. With a running time of 98 minutes, the pacing is quick and efficient, and Cho uses cinematography deftly to show the quick and jerky passage of time from Keisha’s perspective. The performances are rock solid all the way through. Joy Taylor is brittle and violent, simmering below the surface with rage. You can see the toll this stalking experience has had on her in every twitch of her eye and clench of her jaw. The strength she displays once the film shifts into the darker, triumphant second act is a wonder to behold. Kevin Highsmith gives off just the right vibe of charming and sinister as Tom, effortlessly shifting his entire performance between sweet and suddenly dangerous. This is a tense thrill ride that will not disappoint fans of Joy Taylor or this genre in general. You can find Don’t Look Back Now at the Main Street Metroplex 12 and the Movie Palace 20 starting Friday.
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Don’t have to write on the JPG
Image transcription text
As a way of summarizing the events, give Act 5, Scenes 2-3 a descriptive title: V.II- III In your own words, what reason is Synonym FOR THE WORD given for why people follow Macbeth? as evidence: DISTEMPERED act five Why is this an accurate description of Macbeth at this point in the play? Explain a modern day example of this type of leadership: Imagine you are the doctor; write a short Three Which of the following best case note on Macbeth’s behavior: MACBETH HURLS explains Macbeth’s behavior? INSULTS AT THE SERVANT: He is uncertain X He is nervous He is overly confident He is apprehensive He is excited important quote Which the poor heart would fain deny, and dare not. Curses, not loud but deep, mouth-honour, breath, Do you feel any pity for him? Explain why or why As honour, love, obedience, troops of friends What is he saying about his life satisfaction I must not look to have; but, in their stead, And that which should accompany old age, What does the “yellow leaf” symbolize? I have lived long enough: my way of life Is fall’n into the sear, the yellow leaf; In what way is Macbeth’s behavior particularly erratic at this point? (Give an example) CJ STACEY LLOYD 2018 28
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This article is available at 5 reading levels at https://newsela.com.
Quiz
How does the central idea first emerge in the article?
(A) through a description of how an iphone is built and shipped
(B) through an explanation of how the supply chain is like a pipe
(C) through a quote by President Biden on the supply chain’s importance
(D) through a description of problems caused by supply chain issues
Which option provides an accurate and objective summary of the article?
(A) The COVID-19 pandemic badly affected both supply and demand. Millions of people bravely stayed home to stop the spread of the virus, but it caused them to shop more online and strain logistics operations.
(B) Global supply chain problems have slowed shipment times and increased prices on many items. The problems linked to the COVID-19 pandemic will likely affect holiday gift shopping for many people.
(C) President Biden struck a deal with the Port of Los Angeles to turn it into a 24/7 operation so cargo ships can move through more quickly. It is still unclear whether his efforts will help fix the supply chain problems.
(D) The iphone is made and shipped in a complex process. Apple needs companies such as Corning to make precision glass to use on the iPhone; there are many other steps involving logistics and distribution.
Read the paragraph from the section “Why Are Cargo Ships Not Docking?”
“We have increased the number of goods coming here to the U.S., but we do not have more truck drivers, we do not have more warehouse space,” said Dai. “So then that’s where those cargo ships are stuck.”
What can be inferred from this paragraph?
(A) The number of truck drivers did not rise along with the decrease in cargo ships in American ports.
(B) The number of truck drivers did not rise along with the increase in warehouse space.
(C) People ordered more goods, but companies did not have enough workers to support the process.
(D) People ordered more goods, which affected the number of truck drivers in the United States.
Read the paragraph from the section “What Is Wrong With Supply Chains?”
“It’s almost like a perfect storm of loss of manufacturing capacity as well as loss of logistics capacity, married then with the increase in demand,” said Basti.
Which idea is BEST supported by this paragraph?
(A) A diverse set of interrelated issues caused the current supply chain crisis.
(B) A rise in demand was caused primarily by COVID-19 over the past year.
(C) The loss of logistics capacity is the most significant supply chain problem.
(D) The loss of manufacturing capacity was caused by the increase in demand.

Book: Born A Crime:
Question for Chapter 14 analysis: How do Trevor’s humble, criminal beginnings mark him as a “criminal” his whole young adult life?

A Midsummer Night’s Dream: Act 2 Character Map (Play by William Shakespeare) English 11 ~ Worksheet (Not sure if this is English Literature)
A Midsummer Night’s Dream Act 2 Character Map Directions: Now that you’ve finished Act 2, complete the following chart with the correct characters’ names. has warm feelings for by marrying him, knows she’ll bring peace to the Amazons Hippolyte has warm feelings for Oberon Theseus was at war with her Fetches when he fell in love love-in-idleness for ighting about a little Indian boy seeks his help lo control a defiant daughter accidentally put flower juice knows about on his eyes the mischief litania Oberon plans for tells him that she would rather be a nun than marry a man she doesn’t love directing a play to celebrate the wedding of wants to play every part in his production about to begin play views her rehearsals in the as his property woods near the spot where she is sleeping hates tired of always having lo play the female roles in his plays assigned role of the lion runs into hates the wood madly in to find love with agrees to play the role of Thisbe’s mother in his play has the same amount of wealth as at end of Act 2, all work as tradesmen in Athens willing to be his spaniel thinks he loves agrees to play the role of used to be good friends with, bu Pyramus’ father in his play now jealous of

Book: Born A Crime
Analysis: Chapter 16-The Cheese Boys
Question: Multiple times now, we’ve read of how Trevor misbehaves in one form or another and gets saved. How does Trevor’s lack of belonging save him from a life of crime?
Here is the link to the book
https://aderie.files.wordpress.com/2018/06/born-a-crime-trevor-noah.pdf

The passage below is an excerpt from
Empire of Illusion
by Chris Hedges. Read the passage carefully. Then make an argument in an essay where you develop a position on Hedges’ statement that “the most essential skill in politics . . . is artifice (deception, cunning, pretense).” Use appropriate, specific evidence to develop your position: